Ceramist. Third-generation head of Tozan Kiln, a Kyoto ware (Kyo-yaki) studio. Alongside his family’s traditional ceramic, he was an active member of Sōdeisha, a postwar avant-garde ceramic collective that rejected the confines of functionality in favor of purely sculptural expression.
Miyanaga Tōzan Ⅲ（Miyanaga Rikichi）
1935—